Estroil, S. Pedro, Portugal, 2006, 60 x 50 c print
Hundon, Haverville, Great Britain 2004, 60 x 50 c print
Scottsdale, Arizona, USA 2006. 60 x 50 c print
Mono Lake, California, 2006. 60 x 50 c print
What interests me in Robert Voit's photography is how he creates a typology of these monumental and totemic objects that intrude on the natural landscape throughout the world. These are cell phone towers that are created specifically for the environments that they inhabit and therefore are disguised to fit into their surroundings. Although, since they are cell towers, they completely sick out and easily spotted. It reminds me of Thomas Demand's created spaces where he purposely shows little clues that the environment is a fraud. With these objects, the people who build these keep the aesthetics of their surroundings, but you can still see that they're made of metal, have a satellite present in them, and have technology present throughout their frame. He studied at Dusseldorf and obviously continues that photography program's tradition of center weighted, typographic, and formalistic objectivity.